About Visual Movement
Visual Movement is a Vancouver based, film born, technology native studio that designs systems for how people see, understand, and navigate what comes next, on set, on stage, and inside their own organisations.
We blend virtual production, Gaussian splatting, radiance fields, and AI driven insight into practical, shootable workflows. The output is simple: clearer pictures, better decisions, and teams who feel guided rather than overwhelmed by change.
What we do
Every engagement is bespoke. We sit beside you, map your reality, and build a path that fits how you actually work, whether you’re a director on an LED stage, a studio building new virtual production pipelines, or a company trying to understand where AI, new imaging, and Gaussian splatting fit into your world.
End-to-end design and consulting for LED stages and real-time environments, from first concept through to the last shot.
High fidelity environments built from the real world, designed to drop into Unreal Engine or custom pipelines.
Advisory work that treats your company like a person: understanding where you are now, where the world is going, and how you fit inside that picture.
Proof
A few of the contexts where Visual Movement has been asked to design, guide, or rescue complex virtual production, imaging, or AI driven initiatives.
Featured case study
Visual Movement originated and led the radiance field environments for Jensen Huang’s CES keynote — from a blank page, through on location capture, to high fidelity Gaussian splats lit and photographed like a film set.
Featured case study
For The Rings of Power, Visual Movement helped rebuild the show’s scale illusions for a world of moving cameras, long takes, and real performances – using Technodolly, motion control, and real-time QTake comps so full-size actors could appear at radically different scales without locking the camera or the cast in place.
High end productions needing precise camera systems, motion control, and virtual production strategy, from creature heavy films to large scale series and location based splat environments.
Large LED volumes and live keynotes where every pixel is scrutinised, aligning capture, content, and compute so the stage feels effortless on the day for clients, audiences, and cameras.
Teams outside of film – finance, technology, media, and beyond – who need a translator between fast moving AI tools, complex imaging, and the reality of their organisation.
Next step
If you’re facing decisions that don’t have a clear precedent – new stages, new tools, new expectations – that’s usually where we’re most useful as a virtual production and AI systems partner.
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